A Man of Motive Retreads Each Revenge Movie Cliché

TIFF 2022: A Man of Motive Evaluation

Regardless of opening with a slick motion set piece involving full darkness and its lead actor tearing by way of a gaggle of gangsters with nothing however a flashlight and a knife, Jung Woo-sung’s A Man of Motive at all times appears to conflict with itself. As simplistic as its revenge plot finally ends up being, Jung’s directorial debut can by no means land on a single tone and makes use of far an excessive amount of shorthand to ship character growth that it turns into comical in its execution. A scarcity of ambition and a really rote screenplay leaves A Man of Motive with little to really admire or justify its inception.

There’s an underlying disappointment to A Man of Motive due to the reluctance of its important character, Su-hyuk (performed by Jung), to just accept his destiny as a felony. After serving time in jail, Su-hyuk finds himself being courted by the gang he used to run with who’ve now begun flexing their violence and energy on the planet of city growth alongside the outskirts of Seoul. Their affect has the potential to loom giant over town, however Su-hyuk – who many inside the felony group acknowledge as a significant element to their success – needs nothing to do along with his previous life.

A Man of Reason
Picture Courtesy of TIFF

As a substitute, Su-hyuk is on the hunt for acceptance from his ex-girlfriend Min-seo and their daughter, In-bi. Sadly, that’s not going to occur as long as he has one foot prior to now. After a tragic accident forces Su-hyuk’s hand, he turns into consumed by the necessity to defend his household from the criminals that was once his household. A kidnapping plot that shortly goes awry, A Man of Motive turns right into a collection of set items strung alongside by motion film clichés that reinforce Jung as an important actor regardless of the fabric he has offered himself to work with.

There’s that stoicism that has so incessantly dictated each motion hero’s presence in a movie and A Man of Motive is not any exception to the rule. Each motion scene is accented by Jung’s quiet depth even in probably the most chaotic of moments. It’s a stark distinction to the unrestrained violence incessantly asserted inside the movie as Su-hyuk weaves out and in of automotive and foot chases. In truth it appears like Jung’s movie is trying to mirror on the chaos of the world round Su-hyuk with how over-the-top it will get within the face of his muted efficiency, however it by no means fairly solidifies that time.

A Man of Reason
Picture Courtesy of TIFF

As a substitute, A Man of Motive is extra involved with the extra generic strategy of a felony who can’t escape his previous. On this regard, Jung nails the message with a heavy hand. Violence simply begets violence and each second of motion is quickly adopted by extra elaborate setpieces. Often these will be inventive such because the incorporation of a nail gun or Su-hyuk doing donuts in a lodge foyer, however most of the time they’re simply normal run-of-the-mill beats meant to punctuate an in any other case serviceable narrative.

Comparisons to raised variations of this movie equivalent to John Wick or The Man From Nowhere are not possible to keep away from due to Jung’s refusal to interrupt from any conventional mould that has already been firmly established. Even in its most stylistic prospers, A Man of Motive isn’t thrilling and barely entertaining, leaving Jung’s efficiency as one of many solely highlights of his personal movie. Which can be an excellent efficiency, however like giant swaths of the movie, is hardly authentic.

The forty seventh version of the Toronto Worldwide Movie Competition takes place from September 8–18Discover all our protection right here.

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